Vani Hidayatur Rahman

Peacemaker #3, 2016
Acrylic on Canvas, 120 x 200 cm

USD 3,600 – 4,500

Enquire
Chat with us on WhatsApp

Need help or advice?

At any point should you require help or advice, please contact us on +65 6250 1901.
Alternatively, you may email your queries to info@odetoart.com.




About the artwork

The letters on the typewriter keys are all erased, common in appearance and minimal in its differences and individuality, Two doves rest on the type guide, embracing each other lovingly, evidently at peace with each other. Vani emphasies the need for unity and harmony to achieve peace in this work, showing us that by laying down our differences and working towards a common goal, chaos will cease and our efforts will bring about peace and tranquility.



About the artist

Born in 1981 in Semarang, Indonesia, artist Vani Hidayatur Rahman is currently based in Jogjakarta. He has shown his works in various group exhibitions including ArtJog 2013: Maritime Culture, Taman Budaya Yogyakarta; Return to Home, International Union of Unified Ummah Cartoon Contest, Iran (2012); Manifesto, Indonesian National Gallery, Jakarta (2010). Vani has received a number of art awards including the Best Painting accolade at the 2012 Jakarta Art Awards and was a finalist at the 2008 Jakarta Art Awards.

Vani Hidayatur Rahman has made a name for himself with his distinctive and realistic style. With his highly complex paintings that are adorned with detailed embellishments, Vani imbues a strong concept and story into each piece and addresses pertinent political, social and environmental issues that span war to pollution. In his artwork entitled "Unity," Vani depicts a large ark - a motif that has been reiterated by other Indonesian painters such as Widayat and Amrus Natalya. However, Vani presents his own interpretation of the timber vessel by painting it in an unfinished stage of construction and glory - a group of workers on deck are still sawing, carrying wooden beams and measuring for dimensions. The flurry of activity is painted from a birds-eye view and aerial perspective, with the entire structure and frame visible - allowing the viewer to feel as if he or she is an omniscient being looking down from above. 

Go to Vani Hidayatur Rahman's profile   

More works by Vani Hidayatur Rahman
Sort




Back to the top